02 Glisten-Children Part

The middle peek part of the piece for electronic, voice and saxophone. Still editing the sound part in Logic. Text referent from the Lucifer, 2015's drama television series.

max patch using record~ and buffer~

In the wee hours of the morning today, I got started on a patch that records into a buffer and then plays back. I have the playback and record functions automated with a counter. The result is still a pretty rough sound- lots of technical details to work out, to say nothing of the compositional work that still needs done, but I'm really excited about it!

Here's the patch, and the audio I recorded out of it when I was loopy at 4am!


<pre><code>
----------begin_max5_patcher----------
1673.3oc6assaiaCD8Y6uBC8XgapFdQW5aEK5WQQwBYa5Dsqsjgj71jrXy2d
EIkxUKxYSrXoL5CqCjhV44LblyblgLee9rfUk2JpCV76K9qEyl884ylotk7F
y5tdVv9raWuKqV8XAEG2uRT8PvR8u6PVy5axKt9yUh0M52CMI4pvkK37P0Oh
jeRHWEt3u69+juQ8lJW8kekS6eQ0M2sSnte+c1VVzTjsWey+nJOaW+uo0FxK
1IZTVDo+wa.4k71utGepxiMu9wpyuVdY3iOl7qYa1Z0WyyuWc98p6AjGeT8q
q4tCBMRkurBoYsHX6txrV72Cw8kaTOCQd4OlOW9wRjd3lxqut0ULrClwnReJ
Khqbsr9OOoCl8zKpp0Y1Hp9rnHa0tWf2257egKFNoGEFxqjWH8DuCjuWTWmc
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QfQPmDLJKzcg+mUnK1sfDZ.2QoJbCD0hsNSXPbCenEaxP3dUVw0xj92IxULn
FfHOhnfnl.MUcAa.HxRGs7axIHCogCSFJ8HJOy4LdXWdgvTZPThh9iFEo+go
vAHcbBGdpJvYG9+xCsUpHFwuJymAQ8QICieBcb399Hz.CQ4CKWD1FsEZhJHl
qx9oTxUbaTfjDeh2eHTKy5sg5tUbTnlFOAp1YKEmvhjHkzmoaLEme4khSXZc
MLvdJdzkUFNERTK8bvdrdB8RICuOfGEpA+B0Ml6MTWlFHoWQZgF.pHaH8pX9
IiliFGcq8MqMJMmoWt.8Rn4dyRu.5MyTfLKJV4E53rSUWLjV83oP5KXBscvD
EZ4SBxJihuzovsUk4VQKYxu1pxpwA1PeBrqN1zTVfnYSp8YIwBGG53ytjpea
AXtBaOnaq7HkTwL14vHE79tYhwN+fD0fvzCQXPvAi93CNyyIXnr2JQsnwjxi
XkSgB1mQH.SA5p5lxClvKIUKDQ2rnI7lNAZRb8tx0eUTgLwVuoCwoFC8GGTO
lZKo5dAzC9Ms+ySRUGOgjVZXTvLS0jSn5wjlZet.LtWNI3gAN099+fC3rIFv
MMIDV3OAvoSLfC1S7wAbxjbSO5gnt.sYUKrImpkgppUdrnQVUyHQWuqIT8iX
yS7Eawb9IgOyD49RsWP9uyMWe6ZXU4BRnkwApcDwJ85wIF8Ciz79+.g.VO3D
L8VaRYpI6a9fSPhNaGbho54jPb+lr0OfXuw3To+TOEc4mmze9wF+T34KU3vt
r6dXwm9yOs531shJDa9GMTMnXHjaLhIMXTHFGwsFw9l+p4BiTCjwbYQZn+ty
PF1r.EknUhwdGAU4HRMNOC5jn6VqsyqO2KDtZByl6mm5Uiez9NHDq6VOJw9V
HPoS+975NqSOixqUODAQcxP0zXAKK9Xa.h5tsDUbe1l0HTBzl1auxEkO175i
vw7RuP+h0bMSGtU9XtZk2hT3nwwwnkvrbb0Bp2nzty7fEof7+WJnMof8mghj
v9TICRAC8Toffc.1suyVjBBIWbRA6ve2NzY4PBEeAKEr2QvSrKEDhtDjBB54
A.wD6RAAxDXuNdifHvRYwthEL8gqwxAfeBJGhKOfP8y8wL4M6RPLDfRLT2Qd
Fh0Q+F0BANWJjxJTz1u5OuHERj2+kNp5xiUq6euc6J4hmvxFQcSdQVSdYwyd
FxKdlax2rQT7bQIaxqk8BsY35xXsF4oKzp4HO8otxd.+xdhPXNx+LT7HyQpy
y2LGvIlCGStk6hcdUbw.lC0c1SLB6g5P6wyRt3bOy+v7L+CAi8j5N6AUsBvc
1Snm4evvN6N5PFJ1Y2sbwvPGx7Kyg5trcFlvmDvurmWUh6+b6g5a1iCWuvT8
Jg5W1C2gzgTOK+Bi8vI9k8.QtydHdV7LJ0Xg9k8PbX8KLpCYbOydXdl8P8L6
wg7Ogd0f5vT8JJxqLGG1ZJyqF7CVqA7FqwgyLj4WyLjhoqTl6jgQwLzPVneY
OT2MTCJl1jAGZOnZ6h4g1iixuPku6tBWTpmsdQ7L6AiLLpC4ePICyc46DT6e
q6jMSR7K9PB0uTFhxdHwdn83F9YBF9GlCievv+PbWeWnlpg6jGBnoebS3Cfg
9wcU2ATpCcG6CfYKtA2w9.bjKWNJ5g3U8sCvHNxG8AGK6vguIpp6dkJKIXe1
WJqjWFuTcYdg9R0QULnR7s79mWcL1BxpVeSdiXcywJ8Qd61D8AdUcVyqJNlq
d14xu4eL+eY01xMC
-----------end_max5_patcher-----------
</code></pre>

(for those who don't know, you can copy this block of text and use the "new from clipboard" function in Max to see the actual patch!)

google drive link to the audio: https://drive.google.com/open?id=1qrfixaSrBLJWxVjIrexR5WF7YeCXPbzj

xxx

Well I did some sketches for a trombone piece titled "Baubo" after our favorite Greek rascal. For some reason I assumed that trombone players read their music sideways so that's why I posted it like this. It has nothing to do with my image rotation ineptitude.

Piece for two drums

A sketch!

I am not yet sure what drums I mean by drums. Need to run it by a percussionist friend I think.

Oops I just noticed an error in the last bar... I think you can figure out what I meant

Etude for Piano: Matador

 

Audio HERE

This is a study for a piece I want to write, this November. More to come!

Day 1! Excited!

01 Bello Belly

Hi everyone, 
This is Lydia from first day trip in London.  I composed this when I was waiting my dinner. Belly is always my favorit part of human body, but only sometime would be mine haha. This piece is inspired from a conversation between a friend that we were trying to find a best sound of his hidden talent, slap mouth through one finger. So I just combine them. Also, Bello is minions Hello~

I am just a test post, that's about it.

https://soundcloud.com/shoeser1870/whistling-pest-toast

Hopefully this works

30 Final boss

I really wanted to get a stronger result with risset rhythms, instead I've ended up with this god forsaken Franken-patch, but it is sort of doing what I want it to. In brief I did this:

- I dissected the glissando max for live patch from a few days ago away from ableton M4l in just standalone max.
- I broke up what was previously a poly~ object into multiple audio outs.
- Set each of the math operations controlling the poly~ object to receive audio input from multiple groove~ objects each playing the same buffer.
- Mapped the pitch math to control a sig~ object controlling play back speed of each groove.

I know that image doesn't really capture whats going on, but basically there are four copies of the maths operations each managing a seperate groove~. Their level is proportional to their tempo and pitch (the red patch lead) and they are all commencing at different tempi/pitch/loudness. The intent is to create an eternal accelerando.

I also used a drum break that was used in a demonstration of risset rhythms from Dan Stowel's Paper, this worked HEAPS better than jongly.aif

Have a listen here:


On Monday I'll be going through and commenting on everyone's stuff. Grats to all of you, you amazing people. Have a brilliant weekend!

Love,
Hakushu

last post: another phase experiment

You guys.

We did an amazing thing. I'm going to miss this. Part of me wants it to keep going... but I have some finals and doctoral apps to attend to! It's been nice ignoring those things and prioritizing creating!

I meant to make something nice and fun for my last post, here in Manhattan where it's the last hours of November, but instead I made a 3 hr long going out of phase thing, prompted by the ugly feelings I have when I look at photos of myself-- It's a state of mind, more than a piece, and it's not exactly a positive state of mind. It's called, "how i feel about my body," and I'm not quite satisfied with it, but it has some good moments, particularly the beginning, the minute starting at 2hrs:31min, and the long fade at the end.

I want to make a happier version of a long ambient-mood-tape!

So much love, and until next time,
Christine

Two Madrigals - last post

It's getting close to midnight on the 30th of November, here in New York. I've enjoyed this process so much, there's a part of me that wants to do it again right away, but that part of me is drunk with power and needs to go to bed for a while. Thank you all for making this webpage a pleasure to visit, and for producing so much excellent music. March 2018, anyone?

Last one

Congratulations everyone! I'm really blown away by what you've squeezed out of your brains and your other body parts that music comes from. The standard of work has been so high from everyone, it's left me feeling like there is a lot of good art out there (more now) and a lot left to be made. I am sad about bowing out for a week with my arm but happy to report it's feeling a lot better. I've been strengthening it and am getting pretty ripped tbh. Love to you all and I look forward to doing a thorough comb through/reminisce in the next few days.

Christine & Andrew combined jam

Here's a lil synth jam we cooked up this afternoon, while we were both really hungry and wanting to go eat dumplings. Tech by Andrew, Music by Christine

Audio Here

Andrew here... film scoring tropes

Greetings, it's Andrew (I left my computer at home, am spending the night at Christine's)
For my film scoring class, we had to 'compose' a piece, using virtual synths such as omnisphere, stylus rmx, absynth, and so on. He was pushing for a very generic sound, and I spent as little time as possible achieving it. (as you can see, I'm bitter - but I feel better after making a thing with Christine, to be uploaded shortly :) )

The scenario: Dystopic future, awaking despair.

Audio

29 Super slow phase music

Ok so I haven't researched whether or not this has been done before (I'm sure it has heaps!) but today I created a phase of jongly, where the two voices differ by 0.01 bpm :o

So after about 2.5 minutes (55 bars or a one bar loop), the music is one 256th note stretched away from its starting point.

The top voice is the original, and I've dragged bottom one to take about 12 miliseconds longer all together. I chose this difference as you are able hear the phase descend from a pitch into a rhythmic difference by the end of the recording.



Yeh!

Music for iced water

feat brain freeze

Fall, leaves

I love Brontë, not just because she wrote a poem that resonates with me so much she could've written it after a conversation with me, but for many other things too.

Fall, leaves, fall; die, flowers, away; 

Lengthen night and shorten day; 

Every leaf speaks bliss to me 

Fluttering from the autumn tree. 

I shall smile when wreaths of snow 

Blossom where the rose should grow; 

I shall sing when night’s decay 

Ushers in a drearier day.

Emily Bront

Something we can all relate to

28 Pseudo Random Number Generation

Hello,

First up, apologies for not commenting for a little while, I plan on sitting down and go through the past couple of days of posts from everyone after this week is done. Everyone that I've skimmed through in the past week looks great, but I just haven't had the time to sit down and comment properly on something.

So today I did some maxing. From yesterday's pattern searching I needed a bit of chaos to balance things out. Playing a large amount of video games has always given me an interest in random number generation, so today I did a bit of reading a learning about how that works. This was a particularly useful video, and also an amazing maths related channel.



I had a go at making the middle square random number generator spoken about in this video. This is an interesting one because it "ends" depending on a seed. As you watch the numbers appear, they certainly look random, and the sequence of numbers can go on for a long time, but it is always finite. I set up the following numbers to output pitch, in a comparison to the ordinary max random object. Turns out they both sound pretty random :/
Check it out:

<pre><code>
----------begin_max5_patcher----------
2492.3oc4bkziiabE9b2+JHDR.rg6HyZiK4PPLxgbI1GrysICZPIVhproHUH
KMS6wv42dpEtTjhTcIIJJEDAzRT0B068Uu8pX+aO+zhU4uQKW37mc9fySO8a
O+zSpljM7T02eZwtn2VmFUpF1h0461Qy3KdQ2Gm9FW09N1aNqx4acJYIYQok
0CfEq5Ne0O+mfn5FyNrK+.OkxU2S2pVK4+ZJUMZiwwxpGFnpw8Q70aYYIuVP
Wy0jN1yao6KNHOn7C.wU9AT7tyGky42e9Y4auXIKxySRDDR0O2mhJxh1QGnG
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PEx.w0u2b2Ji9DM90HNufs5.m1dUYEBUAQRfH8.MeScy0saxbo4YICCVcFV4
17BtEiqFAPCzGKiwYQoGimCMJMf.pY5dC4SrRV88P2uRfo9iyT5Ii9YgDwQ5
GIQb5+YHImfSK4XgzgViaDADncBHHHRJZfAJAD3Ep4Llwg+oZI1guk5TPSNj
FU3HlmyOFkEmuyQ.CBZxIO6ay2rodtorL557CYbSlvD2v2JiI.n17QnuxXhm
5aHzjXLwfABOeKFt2XKFv.OCKF98sXb6UFf2McASVGACl.cgjHV1f73HLIbZ
V3q.fWtTmFtAM3.1MPqAPtJ2owRCvC3L0rcS7AbScktIMO5BvEL.rDRpjOHJ
moX252mAmoFf0IbkN1nlXGod36omzuG+OVtJJELnxk6s0BBxNMGTnR1vy+pr
fH9kWQKFJlAuK2DhfYX6NrS1D4LLqHMnrJJKoEWDjZ8MBJX6y0UCToCQTVXp
hWeZvISSL5d9.7i0ctIOiWx9hVYfrzyk3C7F.fQmO.CNFfASD9FJdctAwHrW
UKMBv9K8DuHdhqCzw4ELKVs5i+mvzU0PAebNRDP.L2SKXeqCbHsZvUa6ZbW9
P6LbAqB5IbI4JTHGOMY2GufdA9dsVhtMg6JXohboT2.Px0m9WWyF1tpWw1gp
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ee3ZLvahMuQ+Rbz5gjrut5aZ4JGF4KodrRkU99jJ3J9IGrJU2Mc1NKeShN6X
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qx756NtnzzJ6Dcu8uEkw1EwobldI.51zoNQrskqKxSS6vu5d9z.8DKTcVS+L
KluU8CYJLHFNaesPzhlU4XVBsj2sMdTRY2VNxJjnoCqpLM7JmtaepfKTC3us
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iW4MRasIw8h+2nfG0NelXXhsw4Ov.N+EcQX3aoYpuSSKoNBFEJ+1HfHXbPDd
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3ip8z5SJXq4T+PomJu.+4EF+R5R5ZVZ43Bctn4zt36HyA.h.GCPHerr7EjkX
OOnu.8H9ys7m.3JSEYabBfC+.Abxr7qwMi.glebqRuUp1V57WEYQUxY7Cbpy
ebrvICvOpAEYJLFBWJb83IizT519VfpJBaLoMezLlpmqMV2ThVH2526b2pKc
Ze5fkESeynJVSBtoYtQAtSHd89QoboxKh2ZjWlRLpsLTxfdGolCJZS1+vfWY
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dGj6BE.bh1EFCjW6IbQGDtjz34tt4tD9sGtvVaAf7.IXJSo2pEYkAtGIhFXC
TiefnZj0VtFXQ49Q0VaEX.96tQ0JKRVIg3hdfnZa8RD733NFXIPCenn34M.h
1HN6r0ug9dXe0N9F5FF3hkW4GBAD+9acbJUFlamIiCDo0SjSgPfgX0sgDfQ.
buIGsdc+4JbUBIp4hjSEp1zY.wKvq2bkojplo732RKJoVS5OatA6UGiY8V6d
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aPGz6.N8poERVA6ZWFAUksVus4c+FR+ODEHnc3HySUaG1r1pRQr9b1Bt87M3
bDJ5SeW25B1F5a1jYgPKHGz0fVf4g9.2mUSHvFkdWypmdaWOcsgdlOazPagm
4gb.A1ROyiQZ0y+v6aNfLe.juMzSv7QOd1DyA49YfxNBTkO8E6oEoO5ePutM
Ym2zqE+sf6BlO8EhMnM9NJNXEA1Ws+cEGLW6q9WXA1U+uVsNeC.v5iimQUT.
3YRTgXshvLIrXiuYu4yTlKbRDMlRJxRk6Yhbr00ykH9ny8s2immjR58X406Q
x63GGuweT75+X3I9k+8m+uPLFTTE
-----------end_max5_patcher-----------
</code></pre>

It gets deeper but. Everyone understands the idea of randomness...but if randomness is traceable to a seed, is there anything in the universe truly random? Is the "seed" of the universe just the big bang? And which combination of random objects really does sound most like R2D2?

borrowing ideas

Hey everybody!

Tonight I experimented a bit with Alice's phase/loop situation! I don't know if this is in its final form. I sort of think it's the kind of audio that would be good in a museum setting, just a running loop while people are looking at visual art. I'll have to try doing this loop thing with the youtube vids also, rather than doing it myself. The benefit of doing it myself is that I can put one voice in one ear and the other in the other. ALSO I definitely should have used a nice mic and all that instead of just using my built-in.

If one day I become famous and then die I hope they have a museum retrospective with my writing desk, my fish drawings, selected poems/diaries/letters, my collection of analog telephones, some eccentric outfits I was known for, some handwritten manuscripts, etc. in it, and I hope they'll put this audio in it.

I thought it would eventually line up like at the beginning again, but I think I was mistaken because an hour's worth of loops later and it gets so close! But isn't quite lined up. Which is kind of beautiful in a way.

Here's the text I wrote for this:

"It’s not that I miss it exactly, but that I miss the time then, the old paths I walked, the dry leaves underfoot, the cutting of the wind. I miss the wind-tears on my cheeks, I miss the cold smell of Northern winter. The smell of wet pine by the lake. The library in February. Maybe I noticed the sun more then. I never notice it now. The way I was, the way I wore my hair, the way I dressed, the way I gestured with my hands. The timbre of my voice, a timbre that’s lost to me now. The utterances I reached for, which were different from the ones I reach for now. The thoughts I thought. The inhalations, exhalations, excitations of then, so different from now. So distant from now. Becoming distant, and distant, and distant again with every day."

There is no frigate like a book - for Soprano and Piano

Another little song, this time with noodley free-chosen vowels

There is no Frigate like a book,
to take us Lands away.
Nor any Coursers, like a Page
of Prancing Poetry.
This Traverse, may the poorest take
without Oppress or Toll.
How frugal is the Chariot,
that bears the Human Soul.

Emily Dickinson

27 Larger scale polyrhtyhm slides

Hello everyone, last few days now!

Today's project was to start conceptualising how I could develop a piece out of the idea of polyrhythmic sliding that I was playing around with in the second or first week of MoM. This is just going to be a post discussing some of the ideas I explored today.

Conception:
The idea is two voices begin in a polyrhythmic relationship such as 3:2. Expressed in terms of tempo, such as 120bpm:80bpm, one of the voices accelerates to a tempo to create a new polyrhtyhm relationship. A blurred metric modulation. For example, the 120bpm voice might accelerate 200bpm from the previous scenario to make a new polyrhythm of 5:2 (200bpm:80bpm).

Process determining form:
I'm attracted to a sort of Reich/minimal approach for composing this. I aim to determine patterns of moving between tempo ratios from integers 1-5 that lets the piece unfold logically. It's quite easy to make and compare polyrhythms on ableton. I just set up two midi tracks with different subdivision of a quarter note in each. The logical unfolding I'm hoping will emerge through experimenting with different polyrhtyhms by triggering them in Ableton's clip view. This set up will also allow me to experiment and compare different pitch ideas. For now I'm keeping pitch to arbitrary scalic patterns in opposite directions to help distinguish the voices.

Slide time:
What's not so easy is determining the length of time for an accelerando between tempi. I prefer slow accelerandi that are similar sonically to Reich's acoustic phases. Making these resolve perfectly to a specific second tempo is tricky in itself, but the process gets messy when you have pitch.

After a good couple of hours experimenting and developing a couple of accels between voices. I'm going to leave this project for today and think about something different I'll work on tomorrow.

Peace,
Kurt

Glass Insects

Every MoM I always seem to have something about glass/clear things/tiny things/insects. Glass is such a constant source of inspiration to me. Or an obsession. Some might remember Electrical Glass Ants Put On A Concert from March, made from recordings of Hyung Suk's noble performance of the cruel original.

Well this month's instalment is an Infinity for Dinner version that you can almost taste. I'm really chuffed with how it turned out. If you go through the trek of ticking loop on every video, it's worth it I think.

Also quite nice to listen to at the same time as EGAPOAC, I just realised.

Sorry for lack of browsing your work, friends. I am planning a binge tomorrow.

Love,
Alice

Motet for Sylvia

I've had this music/words combo in my head since May. This is a little motet on a line from one of Sylvia Plath's early poems, found in a letter. I'd like to write some more secular motets like this on Sylvia Plath texts. She wrote some beautiful things in her diary and her letters.

In Memoriam for Soprano and Piano

Today I've got another little morsel for voice and piano, this time for soprano, because who isn't in love with at least one soprano, am I right?

Sad piece:

Score:



Audio:

26 Rainy Morning Melody Reharm

Alice suggested earlier in the month I reharmonise her composition from Day 4, "Rainy  Morning Melody". had a crack at that today. I'd accidently copied the B natural in bar 7 as an A natural...and well fuck I also ended the melody on the wrong note.... Urgh... Sorry Alice :( Hope you dig the different take on it!!

Stille Nacht

A last-minute arrangement for my m8s down in canberra.

25 synthz

I was going to work on something a little closer related to my tempo/max/live stuff, but this was a little aside for me. I'm so into this high energy 140+bpm hyper pop madness from this artist in the US called Louis Cole.


It's like techno meets punk or something, especially from the solo at 2:40.

I just had a play around with some ideas and ran with some some pretty out melody/solo stuff towards the end. I just put a heap of stuff down, didn't really consolidate what I liked and didn't like from it.

antarctic toothfish!

ETA: Updated the midi, which I discovered was 20 ticks slower than I actually wanted! Audio's fixed now!

Antarctic Toothfish is done! Check out the score and midi!
https://drive.google.com/open?id=1wQ3kGpFxiiRSZle7I4GZO1h4dF5n00nr

Here's that fishy face again. I'll draw at some point also.

[Quick telephone update: my device arrived and works but my prettiest telephone doesn't! (only my weird jokey telephone works. I may start collecting telephones). Fingers crossed that serious non-jokey phone arriving on Tuesday from Amazon works!]

Piano Phase

I had some friends over and served Comfort Music in my room and then this new one on two screens with two speakers, but I made this to show the two together.

I wish the images didn't end up so close together - I'm gonna reformat this

https://www.youtube.com/watch?v=4xYrF7J8CkA

Keen to dive back in, mates <3

Vastness of Pines - String Quartet No.4

I've finished the legwork on my other string quartet, the one for four violins. It has a few structural issues I think... but I'll iron those out tomorrow morning. As ever, I'd love to hear what you all think - particularly about the transition into the less tonal material in the centre. I PARTIcularly hate the midi sound on this one, as I wish so dearly to hear those emotional violins...

Score & Audio here

Because I owe him a debt, here's the Neruda:

Ah vastness of pines, murmur of waves breaking,
slow play of lights, solitary bell,
twilight falling in your eyes, toy doll,
earth-shell, in whom the earth sings!

In you the rivers sing and my soul flees in them
as you desire, and you send it where you will.
Aim my road on your bow of hope
and in a frenzy I will flee my flock of arrows.

On all sides I see your waist of fog,
and your silence hunts down my afflicted hours;
my kisses anchor, and my moist desire nests
in your arms of transparent stone.

Ah your mysterious voice that love tolls and darkens
in the resonant and dying evening!
Thus in the deep hours I have seen, over the fields,
the ears of wheat tolling in the mouth of the wind

telephones

so I'm a little obsessed with telephones. I built a very crapulous lo-fi extremely-breakable telephone installation in 2013-2014 and have wanted to do SOMETHING with telephones ever since.

and one of my pieces right now is a piece for an old telephone. I'm so happy and excited. I'm working with this amazing percussionist to use the telephone and its beautiful mechanical ringer as a percussion instrument.

So I maybe didn't compose much today in the traditional sense, HOWEVER!

I did research telephone options and eventually ordered a device that will hopefully enable the telephone piece of my dreams??

Fingers crossed, friends. Tomorrow, more fishes.

Circus Project

Hi MoMers - I’m Katie, a viola player from Perth at school with Andrew and Christine in New York. I love what you’ve got going on here. Andrew and I were chatting about a project that I’ve got in the pipeline and he suggested I could reach out to see if anyone is interested to jump on board…

I’m in the early stages of collaborating with a NYC circus performer called Craig. We’re going to put together a small crew to create a show – lots of aerials… silks/rope/lyra plus handstands, etc.

I think we have the potential to do something really powerful – the idea we’d like to focus on is the synthesis between aural and visual. The process of organising sound – from composition to the physical movements of playing – is at the forefront of our discussions of narrative. Using evolution as the fundamental theme we are considering ideas like shifting from black and white to colour over the course of the entire performance (including projections on the walls?) and dissolving the division between performers and audience.

As far as music goes, I’d love make a soundtrack that leaves space for free improv and deliberate silence between new and old compositions. I have viola and electric 5-string violin (with loop pedal and possibly effects if I can get my hands on one). I have a percussionist in mind, and open to suggestions for other instruments but I’d like to keep it to a small group.

You can probably tell this is more a long-term project for us, but I’d love to hear if it sparks some interest.

24 Harmony on accel with steady tempo

Trying to go a bit further with hearing different tempi and assigning them harmony as they progress at different speeds...work in progress. Please excuse trap beat its 3:45am here in syd.

a fish sketch

Antarctic toothfish

I have a few idea cells that I'm playing with at the moment:

Midi here: https://drive.google.com/open?id=1IOKMRFkDpgbdZ0Svj-2Ix-qE2XqsQhtF

Onward fish!

Madrigal - Eggcetera

Eggs



 audio here

23 Accel Decel

I've been thinking about how we perceive an accelerando whilst hearing a rit in another voice, maybe some kind of tempo counterpoint. Swapping pitches when the tempo changes direction seems to really helped outline the phrases and gives them a definite start and finish.

22 Max For Live-ing

Acquired a stash of new max for live plugins and just spent time working through them. I set up a short aleatoric piece with many randomly determined sonic aspects.

from the homestead....

Andrew and I are in New Jersey with my folks for Thanksgiving! We've both had recordings recently, so here they are.

Mine's from a recent concert with some badass string players.

Andrew says: Here's an excerpt from a workshop. Limited time, they couldn't get it up to speed, but here is the first section. (Gotta acknowledge the Taikoz debt)

link: http://christineelisechen.com/2017/11/22/recordings-mom2017/

password: Thanksgiving

21 Mo' shepard tones/risset rhythms

So in trying to get better max algorithms for risset rhythms (rithms?) I went through the Max for live database of objects searching for anything and found this INSNSSANNANNEEE one. I just had to share it here.

Shepard Tones are the "eternal glissando illusion" where the pitch and dynamic of different voices are precisely calculated so that they appear to rise forevs. Basically your ear tracks one voice rising thats fading out, and as a lower rising pitch fades in your ear thinks they are the same voice so you just hear one "rising" voice

Here's a little video that shows whats going on, using the piano part of my quintuplet groove thing I did a few days ago.



SO YOU CAN JUST DO THIS TO ANY AUDIO IN LIVE NOW HOLY CRAP!!!1!!
I think its pretty amazing that it works for any audio example, I tried a whole heap of different stuff and the results were excellent. Also it's an audio effect too (not an instrument or midi thing), so yeh, it can be applied in realtime to an instrument in performance, obviously the instrument would have to be amplified but yeh. That's really torn me a new one today.

My plan is to basically lift all the creator of this patch's maths and apply it to a sig~ controlling a groove~. The deal with risset rhythms is they create an eternal accelerando by mapping tempo to dynamics. Hopefully I can use some of this insane programming to make a similar patch for a risset rhythm.

device can be downloaded here: http://www.maxforlive.com/library/device/477/fp-glissando

in-progress string quartet for violins

Amongst my deadlines this month is another quartet, following the one I finished a few days ago. This is the first five pages - this music seems to be flowing a lot better for me. I don't know if it's because it's more simple or, because it's for four violins, if it's because I have lower expectations for myself, but it's more fun this time... I'll check back in at the end to see if it stayed that way!

orchestral thesis second post

I said I'd make a post about the first movement!

It is noise, so no midi.

I'm still trying to figure out the best way to notate this. I think I've found a good way. Maybe if I don't say what's supposed to happen and just show the score, you guys can tell me if it makes sense or no.

I couldn't get the images to upload to this site, so it's an external link again, I'm afraid.

Link: http://christineelisechen.com/2017/11/21/orchestral-thesis-second-post/

Password: MoM2017

20 Accelerations in nature

Edit: crazy, I thought this one went through when I was hanging with Alice today...hmm
Didn't get around to posting this yesterday, but finished putting something together today for it. I'm trying find some ways of getting video in jitter to respond to to movement. This one was a bit of a failed attempt at making video in jitter output data based motion to change Ableton's operator. I didn't really get the desired result...but neverthelesss it looks cool?!