Andrew here... film scoring tropes

Greetings, it's Andrew (I left my computer at home, am spending the night at Christine's)
For my film scoring class, we had to 'compose' a piece, using virtual synths such as omnisphere, stylus rmx, absynth, and so on. He was pushing for a very generic sound, and I spent as little time as possible achieving it. (as you can see, I'm bitter - but I feel better after making a thing with Christine, to be uploaded shortly :) )

The scenario: Dystopic future, awaking despair.

Audio