Last one

Congratulations everyone! I'm really blown away by what you've squeezed out of your brains and your other body parts that music comes from. The standard of work has been so high from everyone, it's left me feeling like there is a lot of good art out there (more now) and a lot left to be made. I am sad about bowing out for a week with my arm but happy to report it's feeling a lot better. I've been strengthening it and am getting pretty ripped tbh. Love to you all and I look forward to doing a thorough comb through/reminisce in the next few days.

Christine & Andrew combined jam

Here's a lil synth jam we cooked up this afternoon, while we were both really hungry and wanting to go eat dumplings. Tech by Andrew, Music by Christine

Audio Here

Andrew here... film scoring tropes

Greetings, it's Andrew (I left my computer at home, am spending the night at Christine's)
For my film scoring class, we had to 'compose' a piece, using virtual synths such as omnisphere, stylus rmx, absynth, and so on. He was pushing for a very generic sound, and I spent as little time as possible achieving it. (as you can see, I'm bitter - but I feel better after making a thing with Christine, to be uploaded shortly :) )

The scenario: Dystopic future, awaking despair.

Audio

29 Super slow phase music

Ok so I haven't researched whether or not this has been done before (I'm sure it has heaps!) but today I created a phase of jongly, where the two voices differ by 0.01 bpm :o

So after about 2.5 minutes (55 bars or a one bar loop), the music is one 256th note stretched away from its starting point.

The top voice is the original, and I've dragged bottom one to take about 12 miliseconds longer all together. I chose this difference as you are able hear the phase descend from a pitch into a rhythmic difference by the end of the recording.



Yeh!