horn piece

I missed midnight by 27 minutes!!! Damn!!! Not that it matters!

I'm wrestling with this horn piece. It would have been done by now if I hadn't been a little fool and written a stupidly difficult horn part in spite of writing this with students in mind.

So now I'm in that hell-space of "transpose or rewrite"?

Here are the chords I'm working with. Tomorrow I hope to post a finished version!! Even if I have to switch instruments!!! Agh!!

Audio of the whole piece as it is HERE

Our Sorrows - part 1

Hi folks - something different today. I'm orchestrating right now, for the forces you can see in the score, from a choir part I wrote some weeks ago. This is a rewrite of a part of the Messiah, although it's secular and sounds nothing like Handel. I'm half way through, and the rest is basically a pop song, so stay tuned

Score and audio HERE

Diego Day

I wrote this in the morning, then in the afternoon gave it to a guitarist to record. And that's the story of how we ended up with this. 

https://soundcloud.com/shoeser1870/diego-day

Inspired by Cornet Hornman

03 the other part of Bello Belly

Composed when I was on my way back to hotel. This is for the friend whose secret nickname is sexy beast. Basically I just make fun of the rhythm and and sound, so I cut them into se-xy "beat"-st. Beats for the sound of slap lab.

Roar - for Double Bass

Another etude on the theme I established yesterday.

Apologies for the rough presentation!

Cool Tunes for Mellow Tribunes

Fun times here in sunny The Giant's Causeway, Northern Ireland. 

https://soundcloud.com/shoeser1870/cool-song-for-cooler-people

Hope you all enjoy (Also how do I the soundcloud link just show up without having people have to copy and paste it?)(thanks in advance, huggs and kisses0) (I messed up and uploaded it incorrectly the first time)

02 Glisten-Children Part

The middle peek part of the piece for electronic, voice and saxophone. Still editing the sound part in Logic. Text referent from the Lucifer, 2015's drama television series.

max patch using record~ and buffer~

In the wee hours of the morning today, I got started on a patch that records into a buffer and then plays back. I have the playback and record functions automated with a counter. The result is still a pretty rough sound- lots of technical details to work out, to say nothing of the compositional work that still needs done, but I'm really excited about it!

Here's the patch, and the audio I recorded out of it when I was loopy at 4am!


<pre><code>
----------begin_max5_patcher----------
1673.3oc6assaiaCD8Y6uBC8XgapFdQW5aEK5WQQwBYa5Dsqsjgj71jrXy2d
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MMIDV3OAvoSLfC1S7wAbxjbSO5gnt.sYUKrImpkgppUdrnQVUyHQWuqIT8iX
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L8VaRYpI6a9fSPhNaGbho54jPb+lr0OfXuw3To+TOEc4mmze9wF+T34KU3vt
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PF1r.EknUhwdGAU4HRMNOC5jn6VqsyqO2KDtZByl6mm5Uiez9NHDq6VOJw9V
HPoS+975NqSOixqUODAQcxP0zXAKK9Xa.h5tsDUbe1l0HTBzl1auxEkO175i
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v9TICRAC8Toffc.1suyVjBBIWbRA6ve2NzY4PBEeAKEr2QvSrKEDhtDjBB54
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d14xu4eL+eY01xMC
-----------end_max5_patcher-----------
</code></pre>

(for those who don't know, you can copy this block of text and use the "new from clipboard" function in Max to see the actual patch!)

google drive link to the audio: https://drive.google.com/open?id=1qrfixaSrBLJWxVjIrexR5WF7YeCXPbzj

xxx

Well I did some sketches for a trombone piece titled "Baubo" after our favorite Greek rascal. For some reason I assumed that trombone players read their music sideways so that's why I posted it like this. It has nothing to do with my image rotation ineptitude.

Piece for two drums

A sketch!

I am not yet sure what drums I mean by drums. Need to run it by a percussionist friend I think.

Oops I just noticed an error in the last bar... I think you can figure out what I meant

Etude for Piano: Matador

 

Audio HERE

This is a study for a piece I want to write, this November. More to come!

Day 1! Excited!

01 Bello Belly

Hi everyone, 
This is Lydia from first day trip in London.  I composed this when I was waiting my dinner. Belly is always my favorit part of human body, but only sometime would be mine haha. This piece is inspired from a conversation between a friend that we were trying to find a best sound of his hidden talent, slap mouth through one finger. So I just combine them. Also, Bello is minions Hello~

I am just a test post, that's about it.

https://soundcloud.com/shoeser1870/whistling-pest-toast

Hopefully this works

30 Final boss

I really wanted to get a stronger result with risset rhythms, instead I've ended up with this god forsaken Franken-patch, but it is sort of doing what I want it to. In brief I did this:

- I dissected the glissando max for live patch from a few days ago away from ableton M4l in just standalone max.
- I broke up what was previously a poly~ object into multiple audio outs.
- Set each of the math operations controlling the poly~ object to receive audio input from multiple groove~ objects each playing the same buffer.
- Mapped the pitch math to control a sig~ object controlling play back speed of each groove.

I know that image doesn't really capture whats going on, but basically there are four copies of the maths operations each managing a seperate groove~. Their level is proportional to their tempo and pitch (the red patch lead) and they are all commencing at different tempi/pitch/loudness. The intent is to create an eternal accelerando.

I also used a drum break that was used in a demonstration of risset rhythms from Dan Stowel's Paper, this worked HEAPS better than jongly.aif

Have a listen here:


On Monday I'll be going through and commenting on everyone's stuff. Grats to all of you, you amazing people. Have a brilliant weekend!

Love,
Hakushu

last post: another phase experiment

You guys.

We did an amazing thing. I'm going to miss this. Part of me wants it to keep going... but I have some finals and doctoral apps to attend to! It's been nice ignoring those things and prioritizing creating!

I meant to make something nice and fun for my last post, here in Manhattan where it's the last hours of November, but instead I made a 3 hr long going out of phase thing, prompted by the ugly feelings I have when I look at photos of myself-- It's a state of mind, more than a piece, and it's not exactly a positive state of mind. It's called, "how i feel about my body," and I'm not quite satisfied with it, but it has some good moments, particularly the beginning, the minute starting at 2hrs:31min, and the long fade at the end.

I want to make a happier version of a long ambient-mood-tape!

So much love, and until next time,
Christine

Two Madrigals - last post

It's getting close to midnight on the 30th of November, here in New York. I've enjoyed this process so much, there's a part of me that wants to do it again right away, but that part of me is drunk with power and needs to go to bed for a while. Thank you all for making this webpage a pleasure to visit, and for producing so much excellent music. March 2018, anyone?

Last one

Congratulations everyone! I'm really blown away by what you've squeezed out of your brains and your other body parts that music comes from. The standard of work has been so high from everyone, it's left me feeling like there is a lot of good art out there (more now) and a lot left to be made. I am sad about bowing out for a week with my arm but happy to report it's feeling a lot better. I've been strengthening it and am getting pretty ripped tbh. Love to you all and I look forward to doing a thorough comb through/reminisce in the next few days.

Christine & Andrew combined jam

Here's a lil synth jam we cooked up this afternoon, while we were both really hungry and wanting to go eat dumplings. Tech by Andrew, Music by Christine

Audio Here

Andrew here... film scoring tropes

Greetings, it's Andrew (I left my computer at home, am spending the night at Christine's)
For my film scoring class, we had to 'compose' a piece, using virtual synths such as omnisphere, stylus rmx, absynth, and so on. He was pushing for a very generic sound, and I spent as little time as possible achieving it. (as you can see, I'm bitter - but I feel better after making a thing with Christine, to be uploaded shortly :) )

The scenario: Dystopic future, awaking despair.

Audio

29 Super slow phase music

Ok so I haven't researched whether or not this has been done before (I'm sure it has heaps!) but today I created a phase of jongly, where the two voices differ by 0.01 bpm :o

So after about 2.5 minutes (55 bars or a one bar loop), the music is one 256th note stretched away from its starting point.

The top voice is the original, and I've dragged bottom one to take about 12 miliseconds longer all together. I chose this difference as you are able hear the phase descend from a pitch into a rhythmic difference by the end of the recording.



Yeh!