Sketch (probably abandoned)

So much of composition is writing stuff that gets thrown out…. 

I really like what I wrote here but my instincts tell me this has no place in Carnival of the Chinese Animals. So maybe it’ll end up in a string quartet. 

Also, why is there no iOS app for Blogger. It is a pain to use on an Apple devices … Even with Chrome, Google’s browser. I’m tempted to upload my next post with all the istakes not corrects t because I can’t see what I’m typing   Like this. Honestly Wordpress. Leaves blogger for dead. Haha end of rant 

Choral Piece - And Yet I Sigh

Heyo! Tried my hand at writing some choral stuff today.

Score

What are your experiences with writing things like mouth sounds, breathing sounds or unconventional sounds for choir?

I initially wanted to write a whole piece for choir without notes but just contains various vowel sounds in inhalation and exhalation but got a bit too intimidated to do the whole piece like that, as I'm not sure if it would work.

In your experience do you reckon something like that would be effective? I don't have much experience singing in choirs or writing for them so your input would be appreciated.

Thanks!
Ollie

something new

This week I want to complete a project. It'll be my second little chamber opera of this month, another audio-only romp for future podcasting.

The plot as it stands is something to do with a couple stranded abstractly at sea, in a little boat with no propulsion. Their relationship is a lit match and we get to watch them douse it with gasoline. And it's all in a gothic Weill-like cabaret style.

This is somewhat of a prelude, piano only -

score and audio

I can only think of terrible titles. Save me from 'relationship-wreck' please

Sustained but pointillist. No animals were injured … so far.

Isn't it strange how you can't go very long before writing something with a touch of New Complexity… The woodwind parts are tonal and sostenuto but the piano part is a little NC, rhythmically anyway. I have no idea where this section goes. Maybe into the circular little filing cabinet… No animals were injured in the writing of this passage.

Ma Tovu + String Quartet

Hey guys,

Sorry for the absence. I've written two things today - the scoring is terrible but I at least wanted to get some stuff down! Ha

Ma tovu
https://www.dropbox.com/s/ge86fdrgps8axo7/Ma%20Tovu.pdf?dl=0

String Quartet ideas
https://www.dropbox.com/s/xlh4ds585080mjx/String%20quartet.pdf?dl=0

figment 4

I listened to a divorced couple argue for two hours about what they were going to get their kid for christmas. First they spent 25 minutes debating nintendo switch vs. playstation 4, then added chromebook into the mix. The following hour was spent arguing about whether they should give her a pet.



In the end, they decided to discuss it again "in the next meeting."

The way it was going, I think they're going to give the kid a switch.

Buddha Orchestration (Carnival of the Chinese Animals)

Today I experimented with the orchestration of the Buddha opening theme.

It was a challenge use the 2 pianos, because of the microtones in the other instruments. 

Then I realised that using lower notes of the piano actually creates a mist of natural overtones which are 'out of tune' anyway, so the microtonal instruments can just slot themselves right in. 

The nice thing about equal temperament is that almost nothing is really in tune according to the overtone series…

Followup romance for viola and piano

Score here

I'm thinking that this will be part of a set, with the other one. I feel as though I should write at least one more, but is that just a cultural norm?

Bouncy like a Tigger (Carnival of the Chinese Animals)

Polish your weaknesses until they're your greatest strengths, I always say. 

I'm turning my tendency to write hybrid Chinese-Gaelic-British music into an asset.

There's a Tiger in the Chinese Zodiac. It's going to be bouncy like a Tigger now.

again was busy today coming back tomorrow SORRY

Practice text using IPA alphabet

Today is libretto-practice day.

I have to get a start on my commission from the Song Company. It's a short a cappella piece using the International Phonetic Alphabet. 

Before I write the song text properly, I want to be comfortable with the IPA, since this is the first time I'm using it as an author.

The eventual song text will use disembodied phonemes etc. in such a way that there is no linguistic sense, ie. no meaning. 

But to begin familiarising myself, I wrote this practice text using largely English words plus a few sounds not found in English, like the [ǂ] which is a click used in Khoisan languages.

The English words are from Samuel Beckett. I figured it's fitting that I use absurdist text to practice writing nonsense… (Oliver, you'll recognise a couple of lines even if you don't read IPA…!) 

I'm sorry I haven't been commenting or posting properly

Hi everyone, it's been REAL busy but I'm back on track now and will be pumping out some make-up music for the days I've been away.

For today, here's a sight-reading recording of the Romance of a few days ago -

get romantic & sad

thanks to Meagan Turner (vla) and Vatche Jambazian (pno) for their real beautiful snowy-day playing <3 <3 <3

Sad waltz (Carnival of the Chinese Animals)

Today yielded a waltz sad and sweet….

I wonder if it's the Cat's tune. Does anyone wonder why there is no Cat in the Chinese Zodiac? In the version of the story I tell, the Cat was pushed into the river by the Rat and got washed away. Till this day, cats don't like rats. Or water.

English Virginal Dog (Carnival of the No-Longer Chinese Animals)

I'm encountering that problem again …

So I wanted to write some playful music for the Dog, which is one of the last animals to arrive because it was enjoying the swim in the river and lost track of time.

But though I intended to write some Chinese music, this isn't even close. Instead it sounds like a children's song going into English virginal music, eg. Orlando Gibbons.

What to do… either I go down this path or I dump this music!

ABC's

Hey everyone,

I'm recently been learning a monologue from Beckett's "Waiting for Godot" and have been inspired by some of its insanity.

This is a bit of a nonsense piece and I hope you enjoy it!

Score Here

No composing today...

I didn't get the chance to compose today, as I've been working at some orchestration work for a guy here in NY. I'd share some of that, but it's not mine so I think I'd better not...

I did however get a recording of a piece I wrote during month of music a year ago - almost exactly a year ago, actually! Here it is:

Score here

Twelve Multiphonics of Christmas

Hey everyone. The Clariboys and I were asked to be part of this thing called "A very multiphonic clarinetmas" and have been asked to contribute a carol with multiphoniccs. I haven't decided which multiphonics will be used where but the whole point of this piece is a comedic duet where an obnoxious multiphonic replaces each numeral in "the Twelve Days of Christmas".
Have a look :)

Score

Sheep, Monkey and Rooster (Carnival of the Animals)

I'm finding it quite interesting that I don't have many low instruments to work with.

I have 2 cellos. I also have the low notes of the 2 pianos and horn. But I don't have bassoon or trombone or double bass, so the normal orchestration techniques are out of the question.

Here is some mischievous, slightly hocketing music for clarinet, horn and cello, and if I continue to like this, it will representing the Rooster, Sheep and Monkey who cross the river together on a raft. 

Romance for viola and piano

boilerplate nice music here, I just wanted to have a good time w' some nice chords

Solo Viola

Vatche you definitely inspired me to do some writing for viola! 

Here’s a piece with a pattern I love playing around with. I want to start doing the sequence with harmonics (I reckon it would sound awesome) but will need to consult a violist given how fast this is.

Meant to be played as fast as possible with retakes at every bar line. Will definitely revisit this later to develop further.